The Dior Men Fall Winter 2026-2027 show was like a journey through time – the Belle Époque of Paul Poiret collided with the technical discipline of the Dior atelier. Jonathan Anderson began with a literal discovery: a plaque commemorating Poiret in front of the fashion house’s headquarters. This led him to an unworn dress from 1922. That, in turn, became the starting point for this year’s men’s collection. Full of contrasts, contradictions, and unexpected combinations, yet at the same time cohesive.
Let it be wild
“I don’t want normality,” said Anderson during the conference, which, in a highly unusual move, was filmed by Luca Guadagnino. The wildness wasn’t limited to Guido Palau’s wigs or archaic ruffs. The entire show explored the space between history and the present. It created characters and silhouettes that are both theatrical and wearable. That’s why Dior’s latest collection is fashion that entertains, provokes, and sometimes slightly confuses.
Anderson-style tailoring
Tailoring this season is unbalanced, with surprising proportions. Double-breasted houndstooth blazers feature strong shoulders but are cropped to the limits of imagination, while 60s-style jackets reveal the hips. Puffer jackets become architectural sculptures—from the shoulders to the tailbone—creating dramatic forms that are also practical. Anderson plays with structure and ease, showing that precision and nonchalance can coexist within a single silhouette.






History as a tool for play
Fragments of Poiret’s 1922 gown, butterfly jacquards from original suppliers, and archival fabrics meet aged denim and modern Dior belts. Every contrast carries meaning. Yet the story in this show is not museum-like, but alive. Ruffs, reptile-patterned ankle boots, knit tailcoats — each element speaks to its era. Together, they create a narrative that flows between past and present.
Gender, energy, and nonchalance
Anderson’s silhouettes transcend gender boundaries. Sweaters extended into dresses, tailcoats transformed into knit constructions — in this world, women and men can swap roles without pretense. The show was full of theatrical moments. Wild wigs, ruffs, dramatic proportions — and yet every element could easily become a luxury product in a boutique.
Dior Men Fall/Winter 2026–2027. Fashion as an experiment
This collection demonstrates that fashion can be an experiment: a play with form, a game with history and everyday life. Anderson lets the clothes tell stories — from Poiret to the modern street musician — without pretension or artificiality. It’s a collection that compels you to look, to listen, and sometimes to smile gently when contrasts merge into something unexpected.

Why it’s worth talking about
Dior Men 2026/2027 is a show that stays in your memory. Not because it’s extravagant — although it certainly is — but because it proves that in men’s wardrobes, anything is possible: a tailcoat can become a sweater, and a dress from 1922 can dance alongside frayed denim. It’s a world where history and modernity live together in harmony, albeit one full of contradictions.

