Marble stairs, cold fluorescent light, and a crowd of passengers rushing to catch their train. The latest Maison Margiela show (MM6 line) didn’t take place in a classic runway space, but within the monumental interiors of Milano Centrale. In the very heart of Milan, fashion intersected with everyday life. Guests, in their signature tabi shoes, passed by bewildered travelers. Meanwhile, the show unfolded almost in motion.
It was a meaningful gesture. MM6 has long been considered the most “street” side of the Maison Margiela fashion house. Less salon elegance, more urban intuition. In the FW26 season, the
The latest Maison Margiela show: everyday life with a twist
This time, the design collective focused on archetypes. Classic coats, pencil skirts, shirts, jeans. In other words, pieces we all know from our own wardrobes. Yet, in the spirit of deconstruction for which the brand’s founder, Martin Margiela, became famous, everything has been subtly shifted beyond the comfort zone.
The hems of the coats were turned up and fastened with snaps—as if the garments themselves wanted to protect against the city’s grime. Pencil skirts turned out to be backless aprons thrown over elongated T-shirts. The shirt seams revealed “traces” of previous constructions, as if the design had paused halfway between sketch and finished product. This was not a revolution. It was a subtle intervention—fashion captured at a moment of transformation.
The latest Maison Margiela show: denim and the spirit of the ’80s.
Denim became the centerpiece of the collection—the most democratic of fabrics. Men’s jeans with a double waistband, the upper one left unbuttoned, introduced a sense of controlled disorder. Women’s high-waisted, tapered-leg styles evoked the rhythm of the ’80s.
The echo of this decade was clearly audible: flared skirts with ruffles were paired with flannel shirts and mohair turtlenecks. Oversized sweaters with the brand’s numeric logo were matched with thick tights, while sporty, color-blocked jackets and anoraks gave the silhouettes a utilitarian energy. It’s nostalgia filtered through modernity — not literal, but with a sense of distance.
The latest Maison Margiela show: office, street, platform
The “corporate” theme was particularly intriguing. V-neck sweaters layered over flared shirts, slim skirts paired with leather jeans — officewear was reinvented here. Ambiguity replaced conformity. Instead of strict rules, the question arose whether the dress code even applies anymore.
The only discordant note turned out to be the very high heels. In a collection so strongly focused on movement, functionality, and urban pace, they seemed more like a transitional element than a necessity. In a world that’s speeding up, comfort is increasingly winning over the “wow” effect.
Maison Margiela 2026: when fashion blends into the crowd
The finale had a cinematic quality. The models descended the marble stairs of the station and almost instantly blended into the evening crowd. The line between the runway and reality became blurred.
And maybe that was exactly the point. The latest Maison Margiela show didn’t shout. Nor did it dazzle with spectacle. It observed everyday life. And with surgical precision, it made it just a little bit strange. In Milan, during Milan Fashion Week, the brand once again proved that the most interesting fashion is born not apart from the street, but precisely on it.
