The autumn edition of the “Młoda Sztuka” auction, organized by DESA Unicum, will take place on November 12, 2025, in Warsaw at 1A Piękna Street. This event has long attracted collectors, investors, and contemporary art enthusiasts seeking fresh names and new directions in Polish painting. The November 12 auction will feature 90 works by young artists, representing a variety of styles, techniques, and creative sensibilities.
Auction November 12 – Young Art
Among the featured names are, among others:
- Patrycja Nurkan (born 1988) with the work “No. 32.” from the series Selfies (2025) – an introspective play on identity and contemporary self-presentation culture;
- Adam Wątor (born 1970), author of the work “Emotions” (2025), in which color and texture become the language of feelings;
- Grzegorz Klimek (born 1987) with the expressive canvas “Con fuoco” (2025);
- Paulina Taranek (born 1989) with her delicate, almost meditative composition “Ori” (2025);
- Izabela Manturo (born 1995), author of the work “F040” (2025), who uses the language of geometric abstraction;
- Anna Chorzępa-Kaszub (b. 1985), who in the painting “Water – Towards the Surface” from the series Elements (2025) captures the movement, luminosity, and harmony of nature;
- Agnieszka Zabrodzka (born 1989) with the atmospheric composition “In the Forest” (2025);
- Damian Lisiewski (born 1992) with his ironic and vibrant canvas “Dogs at Królikarnia” (2025);
- and Malwina Jagóra (b. 1990) with the work “The Whole World in Our Arms” (2025), which combines emotion with figurative narrative.
Each of these works is not only an artistic proposition, but also a potential starting point for building a collection—a conscious, long-term investment in the young generation of Polish creators.
Young Art in Poland – diversity, awareness, authenticity
Young Polish art of recent years is marked by an extraordinary diversity of themes and forms. Artists born in the 1980s and 1990s of the 21st century grew up in a world full of contrasts: global, digital, yet uncertain. Their works are often personal, emotional, and at the same time deeply reflective of contemporary reality. They reveal a dialogue with technology, social media, ecology, and the experience of everyday life.
For example, Patrycja Nurkan in her Selfies series explores questions of identity in the age of digital exposure, while Adam Wątor and Grzegorz Klimek draw on the emotion and energy of the painterly gesture. Meanwhile, Anna Chorzępa-Kaszub and Agnieszka Zabrodzka seek the spiritual dimension of nature, restoring a contemplative quality to painting. Finally, Damian Lisiewski and Malwina Jagóra offer a subtle interplay between realism and metaphor, between everyday life and the poetry of the image.
This generation of artists is aware—not only artistically, but also in terms of the market. Many of them take part in residencies, international exhibitions, and interdisciplinary projects. As a result, their works gain context, and their names begin to appear in galleries and private collections.
Why is it worth investing in young Polish art?
The Polish art market has been undergoing dynamic changes for a decade. On one hand, more and more people are seeking alternative ways to invest their capital. On the other, there is a growing awareness that works by young artists can significantly increase in value over time. Statistics confirm that prices for pieces from the “Young Art” series are on the rise. Just look at the names of artists who debuted at these auctions a few years ago and are now achieving prices several times higher on the secondary market.
However, investing in young art is about more than just financial calculation. It is also a gesture of trust and support for artists who are only beginning to establish themselves. For many collectors—especially those just starting their journey with art—such auctions are the perfect entry point. Starting prices often begin at just a thousand zlotys, allowing for gradual collection building without excessive risk.
The return on such an investment can therefore be twofold: both aesthetic and financial. A painting displayed on the wall has a daily emotional impact, creates atmosphere, and inspires. Over the years, however, it can also become a valuable asset. It’s worth remembering that the art market is not as susceptible to economic fluctuations as the stock market. That’s why it is more stable and long-term. In times of crisis, it often gains in significance.
Market, trend, responsibility
The growing interest in young art is not just a matter of investment. It’s also part of a broader cultural trend. Young artists today serve as a barometer of social emotions and a carrier of values. These matter to audiences. They represent authenticity, sensitivity, and originality. By investing in their works, we’re not just buying a painting—we become part of the process of shaping a new identity for Polish contemporary art.
A responsible collector, therefore, does not focus solely on potential profit, but also on contributing to artistic and symbolic development. In this sense, the “Young Art” auction is not just an opportunity to bid, but also—and perhaps above all—a chance to reflect on the role art can play in our everyday lives.
Young Art. The future begins today
The auction on November 12, 2025, is a perfect opportunity to discover the names that may soon shape the landscape of Polish contemporary art. In a world where more and more things lose their value over time, art remains one of the few areas that appreciate. Emotionally, aesthetically, and financially. “Young Art” is therefore not just an auction. It’s an investment in the future.
